The second volume will cover 2010-2025, and will include master plans, finished renderings, process sketches, travel sketches, documentation drawings, architectural plans and elevations, diagrams, photography, computer graphics, and more; Interested parties are encouraged to submit their work through the August 15th deadline.

The just published book The Art of the New Urbanism, Volume 1, was edited by James Dougherty, an upcoming speaker at the 62nd International Making Cities Livable conference in Potsdam, Germany, and Charles C. Bohl of the University of Miami, with contributions from Victor Dover, Principal-in-Charge at Dover, Kohl & Partners. They have just announced an open Call for Submissions for Volume 2.
This beautifully illustrated volume serves as the first comprehensive visual compendium of the New Urbanism movement, covering its formative three decades. But it isn't just about pretty pictures: it's about visual communication and co-design, working with clients and the public to forge a humane vision articulated in graphical form, integrating the multiple and sometimes conflicting forces of human need, economic dynamics, technological constraints, and evolving political will. These drawings are not only essential guides to further implementation, but as this book demonstrates, they are frequently beautiful works of art in their own right.
The book is a testament to the remarkable progress of New Urbanism as a critical reform movement. As the book makes clear, its practitioners are engaging with citizens and users in a fundamentally different way, responding to their preferences and needs, through charrettes and other collaborative methods, and by building on the proven successes of nature, history, and traditional precedent.
While new technologies do play a role, they are never allowed to displace the fundamental relationship between human collaborators, including users. We’re also reminded that the core of any design process is visual communication, the common language of an iterative collaboration that emphasizes listening as much as talking.
While the results are often beautiful works of art in their own right, make no mistake, this is not “art for art’s sake” – a means to impose gigantic ungainly sculptures on an unwilling public, or to market dubious new schemes that, judging from history, are only likely to produce ever more unhappy results. On the contrary, this is a disciplined use of art aimed at reforming professions in need of it, and enriching the lives of people and place.
The expansive volume brings together over 200 hand-drawn and digital renderings, master plans, site illustrations, photographs, and precedent studies created by more than 100 architects and urban designers. Beyond merely showcasing these works, the book provides thoughtful commentary and essays explaining the design principles, techniques, and the role visual storytelling played in shaping walkable, sustainable communities—and in engaging both professionals and the public in the planning process.

James Dougherty reports:
"We are in the process of preparing Volume 2, 2010-2025. There will be a new exhibition, concurrent with the printing of the new volume. We are seeking examples of all of the types of images that New Urbanists [and their allied movements] use in their work: master plans, finished renderings, process sketches, travel sketches, documentation drawings, architectural plans and elevations, diagrams, photography etc. (While most of the book will focus on the more recent works, we are also going to devote some space in the book to seminal images from the prior era that we might have missed).
"The deadline for submissions was August 1st, but we are holding the submissions portal open a bit longer and sending invitations to select designers and illustrators who we would still love to receive work from.
"There is a form there to fill in captions, titles, credits, permission to publish, etc. for each image. The artworks themselves can be as large as 20MB filesize. We recommend submitting images at as high a resolution as possible, but certainly no less than 300dpi. (The selected artworks will be both published in Vol 2 and printed at various scales for the 2026 exhibition.)
"Once the images are all received, the jury will convene and take on the the hard choices about which images/projects/practitioners to include, achieving a wide range of subject matter, scales, media, and the like. I foresee that if there is an image that the jury really wants to include but we need a higher rez file, we’d contact the submitters and ask them to rescan or submit a better file."
Interested parties can submit (up to ten artworks per person) via the portal at www.artofthenewurbanism.com
